Here's the inked version of this month's Christmas Incompatibles. In the past I've actually penciled all my lines and then beefed them up in P-shop. This time I used a Pigma brush pen on the lines and a 4H mechanical pencil for the shading. Doing the two parts of the drawing in different mediums presents a tone consistency issue. I could use a technical or crow quill pen for the shading, but it tends to be slow going. I like the strokes for the shading to be very quick so I need to experiment with a few other tools to find the best solution. Below is the final version.
/skrôld/ ~ (verb) 1. written hurriedly, untidily. (noun) 1. sketches and scraps by Mario Estioko.
Sunday, December 23, 2012
Saturday, December 8, 2012
Calendar Fini
The calendar is in the can. Phew! Coming up with 12 new gags was a good drill. I also solidified my process for formatting the panels for print. Up until this point I had only posted them online, I could get away with some digital liberties in soft display. Now I have a good boilerplate process to make them print and web optimized. My only missing piece in the process is a good Cintiq screen for flatting. I'm also looking into the viability of a good tablet (iPad or Galaxy) coupled with a Dagi stylus and Photoshop Touch. All I really need them for is to speed up my flatting/coloring process. Everything else is done by hand.
Sunday, November 18, 2012
Movie Review: Breaking Dawn 2
Okay, I admit it. I've seen all of the Twilight movies—opening night in most cases (now where did I put that man card …). Here's another confession: I read all the books before the movies came out. You see, my wife and I made a deal a some years back: I'd read the first Twilight book, she'd read Ender's Game, one of my favorite books of all time. She kept her end of the bargain, but it didn't entice her enough to go on with the series (btw, I would recommend reading Ender's Game and Ender's Shadow—not the usual path through Speaker of the Dead … but I digress). I, however, read Twilight, then moved through all the other books as they came out. Reading the books was sort of akin to a big bag of Lay's potato chips; you know you shouldn't eat them, but man, once you get started, it's hard to stop. I remember when the first installment came to the theater, I was one of two men in a sea of women in the audience (moms and daughters mostly). The demographic evolved over time and I must say the testosterone was fairly well represented in this last one.
In reading the series, I found myself groaning inwardly while going through the last book. Breaking Dawn seemed like a real shoddy sum up of a lot of loose ends. In fact, I felt Meyer should've ended the series with the Eclipse, perhaps inserting the wedding scene as the ending. That was not meant to be as Bella and Edward go on to becoming parents (Renesmée? Really? Sounds like some Utah-parent fusion name) and taking on the entire Vulturi clan like some kind of global underworld adaptation of Seven Samurai. So I really ended up loathing Breaking Dawn the book.
Be that as it may, I went into the cinematic conclusion of Twilight with an open mind. Ironically, the final movie seemed more satisfying than the final book. Just like the book, there were some adjustments that took getting used to: the addition of Bella's abilities as a vampire, and her hybrid daughter with accelerated growth issues. Yes, there was some hokey moments as the Cullens went about gathering allies for their stand against the Vulturi (viz., the Amazonians and Argentinians—they looked like injuns from a 50s western). And there was the flimsiness of an alliance formed at vampire speed. But the culminating portion of the conflict really actually … worked. And what's more, it dealt a surprise to everyone in the audience—even those who'd read the books! Now I'm not going to recommend BD2 as the best thing in the history of movie-making, but I can endorse it as a decent ending to a big bag of Lay's chips. Just be sure to follow it up with something more dense, like a Netflix marathon of Lord of the Rings. That should quiet the cinematic digestive tract. “B+”
Saturday, November 10, 2012
Movie Review: Skyfall
“A-/B+”
Tuesday, November 6, 2012
Movie Reviews: Wreck It Ralph and Frankenweenie
Okay, I've been horribly remiss in keeping up on my movie reviews, so here are a few flash reviews for some of the latest flicks I've seen:
Wreck It Ralph
Animation good. Plot a little slow at first, even felt a bit contrived in parts (it's hard to shoehorn a bunch of video games into one film), but the story ends well and almost eked a tear out of me. “B”
Frankenweenie
Argh. Usual great animation from Mr. Burton. Felt like the script was written over the weekend. Some cute oldster, inside movie references throughout, but nothing that could stitch up the monstrous neglect to the story. Too bad. “C+”
Animation good. Plot a little slow at first, even felt a bit contrived in parts (it's hard to shoehorn a bunch of video games into one film), but the story ends well and almost eked a tear out of me. “B”
Frankenweenie
Argh. Usual great animation from Mr. Burton. Felt like the script was written over the weekend. Some cute oldster, inside movie references throughout, but nothing that could stitch up the monstrous neglect to the story. Too bad. “C+”
Thursday, October 4, 2012
2013 Incompatibles Calendar
Thursday, September 20, 2012
Stabs at Sketching
Here is some preliminary sketching for last week's Incompatibles installment. It’s funny how the drawing can lead to finer nuances in the narrative. Originally “Vegan Rituals” was slated to display a knife-toting priestess poised to sacrifice her giant carrot. As I was toying with different blades, the thought hit me: “Why a knife? It should be a peeler.” I think that one edit really added finish to the gag.
Tuesday, September 11, 2012
Toothpaste and OJ
This particular cartoon was a revamp of a gag I drew 20 years ago. Above is the second generation rough (you can see the blueline I'm drawing over). Yup, it's that sketchy until I'm satisfied with all the relationships. I started from scratch as the previous version was just a guy standing in a non-descipt background. I thought it would be more compelling to have the setting be a man in his bathroom mirror. Why he would have OJ in there? I have no clue. :)
Friday, August 31, 2012
Tuesday, August 21, 2012
Movie Review: Bourne Legacy
Caught the restart of the Bourne saga this last Thursday. It's fairly easy to summarize The Bourne Legacy: Try to imagine one of the earlier Bourne movies crossed with a movie like … say … Beaches. Man, way too much talking and self-reflection here; not near enough KICKING BUTT AND TAKING NAMES. Lots of guys will go to this movie and walk out shaking their heads. The plot was solid, it just suffered from chronic action deficiency. It made the 2:15 run time feel like an eternity. Jeremy Renner did what he could with the script. He has the charisma and presence to take on this mantle, he just needs better material. Rachel Weisz played her part well too and she looked surprisingly youthful at 42. So no foul in regard to the acting personnel. Nupe, the fault here lay at the feet of the guy in the director chair, Tony Gilroy (coincidentally the co-screenwriter with his brother, Dan Gilroy). My advice to the two bros: do a marathon of Bourne Identity, Bourne Supremacy, Bourne Ultimatum and sprinkle in a little Rambo First Blood I and II for good measure; THEN write the script for next film. And, ooh, please omit the cheesy violin-cliff hanger riff at the end of the next movie. I groaned audibly when I heard it. I say keep the "legacy" of patootie-kicking action and let this new generation of Bourne find its own footing (and music). "B-"
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