Franken-Reference

I recently paid homage to Roy Lichtenstein by doing a parody of his famous painting Kiss V. “Bride of Lichtenstein” involved swapping in the faces of Frankenstein and his ill-fated bride to be. Really it became more of a hybrid of the original images and the new likenesses; I wanted to hold on to the woman's blond hair yet incorporate the white streak, bandaged hand and possessed wide eyes. I also set the cartoon in larger Ben-Day dots than the original piece as I wanted to make the effect more obvious. Below is the result.

Tra La La

Above are some of the exploratory sketches I did on my latest cartoon installment. I videoed my wife skipping and observed a lot of reference on the subject to get the physics right in the final version. I really wanted Sigmund to give off the feel of child-like joyous abandon.

[Creak]

Well, it's way overdue: I'm starting to take the Peck out of mothballs. If you're not familiar with my whimsical comic creation, surf over to http://peckcomics.blogspot.com/ and click on the “Read the Novel” link on the right to view Issue #1. Essentially he is a quirky one-armed superhero who's trying to clean up Dodge. Anyway, it's been a while since I've done any sketches on him. I need to shake out the cobwebs and redevelop the muscle memory. I want to tackle Issue #2 by this summer and I need to be in full Peck-mode so I can hit the ground running come June.

The Natives Are Restless

Here are some of the preliminary studies for this week's cartoon. I do these on post-its or in my small moleskin notebook and then composite them in P-shop. This is particularly useful in layering elements that overlap in space.

To Belly Or Not To Belly?

Here's my latest Incompatibles (La Brea Armpits) from rough sketch to finished piece. Note above that I was indecisive on the face and belly of this guy. I was giving him a goatee and thought to myself: “Why?” Also, his navel and t-shirt length kept moving up and down as I toyed around with how much pooch to show. Having a higher t-shirt led to more belly hair and just ick. In fact, the attention was just being drawn to that hairy black hole the more I exposed it. In the end, simplicity won out. I focused the detail in the proper place—the mammoth and sabertooth.

Dragon Border

This is an adaptation of a chinese dragon I'm doing for my Dad. It's going to be a border on the promotion certificates for his martial arts organization. Definitely more intricate than I'm accustomed to drawing. I have complete empathy for tattoo artists who do work this kind of detail!

Thumbering

Here is a story I'm developing for Yarns 2. I'm not totally sure I'm going forward with it. I wanted to chew on it in visual form to see if it might speak to me a bit. Sometimes I will just start brainstorming a story visually in short sequences, just to see if it leads to something. Wandering thumbnails I guess: Thumbering.

Gleaning

Here's something I did to warm up tonight for some thumbnailing. I used a Pigma brush pen for the line work and a Pentel waterbrush for the shading. I really love laying down work with a brush. It so free and real. I suspect I will be doing work on a Cintiq sometime in the next year or so, but the humaness of analog is something I never want to lose in the work. Below is the colorized version done in P-shop.

Christmas Greetings

Here's the inked version of this month's Christmas Incompatibles. In the past I've actually penciled all my lines and then beefed them up in P-shop. This time I used a Pigma brush pen on the lines and a 4H mechanical pencil for the shading. Doing the two parts of the drawing in different mediums presents a tone consistency issue. I could use a technical or crow quill pen for the shading, but it tends to be slow going. I like the strokes for the shading to be very quick so I need to experiment with a few other tools to find the best solution. Below is the final version.

Calendar Fini

The calendar is in the can. Phew! Coming up with 12 new gags was a good drill. I also solidified my process for formatting the panels for print. Up until this point I had only posted them online, I could get away with some digital liberties in soft display. Now I have a good boilerplate process to make them print and web optimized. My only missing piece in the process is a good Cintiq screen for flatting. I'm also looking into the viability of a good tablet (iPad or Galaxy) coupled with a Dagi stylus and Photoshop Touch. All I really need them for is to speed up my flatting/coloring process. Everything else is done by hand.