Okay, I'm bringing up the rear as we close in on our final deliverable for YARNS. Here's a sample of my “pencils” (actually they're a mix of ink and a motley patchwork of tracing paper and scotch tape). I love the hands-on feel of “Frankensteining” the composition in analog. Right now I’m moving into the inking phase. That actually goes fast for me. I scan these sample pages in, convert them to light bluelines, output them on Clearprint vellum, then ink directly on them. Then I'll rescan them RGB and blast out the bluelines in Pshop (Image>Adjustments>Hue/Saturation: Activate the blue and cyan channels and crank the Lightness slider to 100) and I'm ready to flat and paint. Colorizing will happen in bulk (and earnest) this week. I'm pretty excited about the story, though. It ended up being 18 pages. Phew!
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