The post-it at upper left is horizontally flipped. When I originally drew the thumbnail, the girl saying "Darcy is so hot" was on the couch. For continuity's sake, it seemed more smooth to swap the girls' placement, so the post-it you see is the second one I did. Nailing the expressions on these ladies faces and hand gestures proved challenging. Sometimes I'll finish roughing a cartoon and feel there is something wrong. It can sometimes be an absent, superfluous or misplaced prop. But more often than not it is a mediocre facial expression or irrelevant hand gesture. It's amazing how much of a difference these things make in the gestalt of a gag. It's hard to see, but look at the face and hand of the gal sitting on the couch saying "I don't get it" in the redline/inked drawing. Her hand is open, eyes squinted and mouth down-turned. I really wanted to play up her complete disinterest in this activity, so I changed these features digitally once I scanned it in. In the final cartoon she is looking down at her nails with poofy red lips and you can almost hear the cynical "valley girl" tone in her voice—all this by just adjusting a few lines.
/skrĂ´ld/ ~ (verb) 1. written hurriedly, untidily. (noun) 1. sketches and scraps by Mario Estioko.
Tuesday, July 14, 2015
Blondes and Book Clubs Process
The post-it at upper left is horizontally flipped. When I originally drew the thumbnail, the girl saying "Darcy is so hot" was on the couch. For continuity's sake, it seemed more smooth to swap the girls' placement, so the post-it you see is the second one I did. Nailing the expressions on these ladies faces and hand gestures proved challenging. Sometimes I'll finish roughing a cartoon and feel there is something wrong. It can sometimes be an absent, superfluous or misplaced prop. But more often than not it is a mediocre facial expression or irrelevant hand gesture. It's amazing how much of a difference these things make in the gestalt of a gag. It's hard to see, but look at the face and hand of the gal sitting on the couch saying "I don't get it" in the redline/inked drawing. Her hand is open, eyes squinted and mouth down-turned. I really wanted to play up her complete disinterest in this activity, so I changed these features digitally once I scanned it in. In the final cartoon she is looking down at her nails with poofy red lips and you can almost hear the cynical "valley girl" tone in her voice—all this by just adjusting a few lines.
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