Toothpaste and OJ

This particular cartoon was a revamp of a gag I drew 20 years ago. Above is the second generation rough (you can see the blueline I'm drawing over). Yup, it's that sketchy until I'm satisfied with all the relationships. I started from scratch as the previous version was just a guy standing in a non-descipt background. I thought it would be more compelling to have the setting be a man in his bathroom mirror. Why he would have OJ in there? I have no clue. :)

Blueline of Strange Shopper

Above is the second-to-the-last blueline of my latest cartoon. I wanted to make this character look quirky with an odd fashion ensemble and a pose that reflected a shopping game face. It's not a matter of IF he's going to use the product, he's just weighing the different types at this moment.

Movie Review: Bourne Legacy

Caught the restart of the Bourne saga this last Thursday. It's fairly easy to summarize The Bourne Legacy: Try to imagine one of the earlier Bourne movies crossed with a movie like … say …  Beaches. Man, way too much talking and self-reflection here; not near enough KICKING BUTT AND TAKING NAMES. Lots of guys will go to this movie and walk out shaking their heads. The plot was solid, it just suffered from chronic action deficiency. It made the 2:15 run time feel like an eternity. Jeremy Renner did what he could with the script. He has the charisma and presence to take on this mantle, he just needs better material. Rachel Weisz played her part well too and she looked surprisingly youthful at 42. So no foul in regard to the acting personnel. Nupe, the fault here lay at the feet of the guy in the director chair, Tony Gilroy (coincidentally the co-screenwriter with his brother, Dan Gilroy). My advice to the two bros: do a marathon of Bourne Identity, Bourne Supremacy, Bourne Ultimatum and sprinkle in a little Rambo First Blood I and II for good measure; THEN write the script for next film. And, ooh, please omit the cheesy violin-cliff hanger riff at the end of the next movie. I groaned audibly when I heard it. I say keep the "legacy" of patootie-kicking action and let this new generation of Bourne find its own footing (and music). "B-"

Movie Review: Total Recall

Here's my brief recap of this remake of the 80s film by the same name: The futuristic earth world created was reminiscent of Blade Runner. The chase scenes and action were awesome. The actors were not easy to engage. In fact, if any character seemed somewhat interesting, it was Douglas (Colin Ferrell) Quad's villainous wife (Kate Beckinsale). She at least had a personality. Perhaps the chase plot gives us less time get to know these characters, perhaps the script and story just under use them. Either way, it seemed flat. On paper it looked like a home run; in reality, it was a double. Schwarzenegger need not fear.  "B"

Background Details

You'll notice in the rough drawing above that I originally had a group of guys running away from the scene, as if they were unwilling participants in this warped game of tag. I elected to go with a playground scene in the background for the final. I found it more funny with boys who seem oblivious to the activity down the hill. You'll also notice the tagged guy's pants and shoes are different in the final.

The Idea is the Thing

Above is one of the baby sketches I did last month during my fam's Utah/Nevada road trip. To me these are the most important sketches to get out of your head. The idea is the thing. I find that most of the time, the scribbly little thumbnail I generate is not far off from the final composition.

Movie Review: Dark Knight Rises

Chris Nolan wraps up his Batman trilogy with the release of Dark Knight Rises this last week. Nolan does usual justice to his finale by weaving a multi-threaded tale that pits newcomer terrorist, Bain, against Gotham's Caped Crusader. Throughout the film, Nolan reveals background details that cleverly frame the culminating final scenes of the movie. I can't describe too much of the movie without giving away spoiler details, so I will simply say who/what I thought worked, and what didn't:

Christian Bale
Bale was much better this time around than in Dark Knight. He really toned down his verbal performance, most notably in his delivery of Batman's gravelly voice. In DK, it seemed like he was spitting out his lines, perhaps feeling a little upstaged by Heath Ledger's Joker. But there was a restraint in his delivery this time that actually blended well with a Bat coming out of an 8-year, self-imposed retirement.

Anne Hathaway
I have to admit, I was really skeptical about Hathaway as Selena Kyle going in, but she made it work. There was a cool quirkiness to her rendition of Catwoman. And kudos to Nolan for really removing the feline caricature—the problem with previous big screen portrayals—in his script. It enabled Hathaway to execute Kyle with more depth and needed subtlety.

Tom Hardy
The role of Bain was handily executed by Hardy. It must have taken hours of gym dedication to get his back and torso in shape for this movie. And Hardy doesn't disappoint in his delivery of the super villain, although some comic enthusiasts might suffer some let down if they go in expecting a 3-D, effects-altered physique. Occasionally, Bain's words are a little difficult to understand through his face mask, but overall, he brings a memorable personality to a calm, matter-of-fact psychopath.

Michael Caine
Caine's Alfred shows a flare of emotion not seen in previous Batman installments. It allows us to see the butler in a more human light, a dimension of Alfred Pennyworth not seen in past incarnations (no disrespect to the late Michael Gough). Although we don't see too much of Alfred in this final installment, his delivery gives a lot of weight to this supporting role, reminding us that Bruce Wayne does have family.

Time
It seems almost part and parcel: if you go to a Nolan film, expect a looooong sit. Fortunately he does an exemplary job of entertaining with a well-crafted story, but even the most accommodating bladder has its limits. This would be my only knock to DKR. There is a powerful march and rhythm to Nolan's films that takes you on an ever-upward roller coaster ride, with tense music always as the backdrop. Sometimes when it is drawn-out too long, the viewer can tire (at least I do—think of how you felt emotionally spent after DK and Inception). To his credit, Nolan does a fine job of tossing in a few valleys here and there to gives us a few respites before the culminating scenes, but 2-hours and 45 minutes is a long haul no matter how you slice it. So prepare mentally for a great movie, but go in knowing it will be a marathon. And do yourself a favor: hit the restroom before the show and sip your soda slowly and prudently.  "A"

Dance Edits

Above is this week's Incompatibles and below is a blueline sheet of the rain dancer. You can see that I was messing around with the different expressions he could make while doing his groove thang. I polled my family on this and they were split, so I finally went with my gut and chose the version of the guy with tightly shut eyes, biting down on his lip (versus puckered lips and wide-open eyes). With either pose, I just wanted to reflect his intense commitment to the artform. Sometimes edits are clear-cut black and white. Sometimes they are good-better-best. And sometimes they are just personal preference. This edit was the latter of the three.

Chicken Wing

A little play sketch of an Indian brave doing some funky chicken wing move (what's the name of this dance move???).  I've been doodling the facial expression and body position of this character this evening. He's going to be the focal point in my next Incompatibles panel. This is a quick ditty using my new Pentel water brush. Love it.

Breathing For Dummies

Here's this week's Incompatibles installment. Above you can see the initial drawing before cleanup and coloring. I knew I'd be cropping the action on this, so I left it unfinished on the outskirts. In hindsight, I made his shirt a little too drapey, especially on his upper back. I think I got too happy crosshatching folds, that happens sometimes. I am happy with his overall pose and expression, though, particularly his left hand. It has that nice "throes of death" look about it. The fine balance here was not going too overboard on the blue in his lips and eyes. I wanted him to look just about expired. 

Batmobile and Waterbrush

Saw this little gem while running errands around town this morning.

Also, I picked up a Pentel Aquash Waterbrush today. I couldn't seem to find it at the local art stores, but Hobby Lobby carried it. I love the new convenience of watercolor anywhere. Stay tuned for frequent posts of doodles w/ washes!

Closing in on Pavlov

Above is the final b&w art for "Pavlov's logs," and below is the completed panel. The finished cartoon is actually a re-edited version of what I thought was final. I colorized the panel in the morning and didn't compare it to some of my previous work like I usually do. I find this practice helps me to stay consistent in color saturation. Anyway, I colored it, posted it, and went out for a morning activity. When I returned, my wife told me that the posted cartoon was too light and anemic. Coming in the door with fresh eyes, I immediately saw what she was saying. Photoshop to the rescue. I made a few edits and here is the final-final. ;)

Movie Review: Amazing Spiderman

Was it an amazing Spiderman movie???

My answer: YES.

I recall some movie critics expressed misgivings at a revisit to Marvel's Spiderman franchise. Perhaps it was anticipated to be redundant story info, but Mark Webb, director of the newest Spidey reboot, Amazing Spiderman, has done an excellent job making trod territory seem pristine. I was never a diehard fan of Tobey Maguire as the web slinger. I'll admit, I liked him in the first movie. But as the trilogy trudged on, his depiction of Spidey really began the wear on me. This was not totally his fault; he was partly the victim in that he had to deliver an often corny script. I think I reached my limit when he bopped down the sidewalk in his venom-influenced personna in S3. They chose a good time to close the book on that series. 

Since then, it's clear that Marvel has learned a bit. They've taken notes from Chris Nolan's treatment of Batman; the proof being evident in their later X-men and Avengers threads. They've learned that serious comic book characters can exist on the big screen—serious characters that can be brooding AND clever without having to echo the schmaltzy corniness of old school comic pulp. Amazing Spiderman delivers a wonderful retelling of the web slinger's tale. It works as a love story, it works as a drama/comedy, and it works as an action-packed super-hero movie. The writing is surprisingly solid and the casting is spot on. 

Now I won't say there aren't a few plot-holes in the road, but the majority of the story delivers in a very satisfying way. Acting-wise Andrew Garfield and Emma Stone are perfect leads. Their romance is believable and poignant. However, I think Garfield really steals the show here. He so accurately embodies Peter Parker as the gangly youth we all grew up with. At one moment he could look like an awkward teenager, then a cool super-hero—and then, hey—even a romantic leading man. The real litmus test for me was that he could cry without making me feel oogie (I still have scars from that Tobey Maguire scene in S3). There's an authenticity and sincerity I'm really digging in this new Spideyweb thread. My only disappointment is that I have to wait until 2014 for the next one!  "A"

Pavlov Blueline

The next Incompatibles is shaping up. This is the preliminary blueline from a few days ago. I've made some changes since then: I cropped the action a little tighter to bring more emphasis to the notepad, scaled back the log/table and added an horizon line beneath the table to give a sense of the far wall. One major overhaul was the architecture of the log harness table. As you can see, the perspective is totally wonky in this posting. It's like I was schizo on the vanishing points. That's what happens when I sketch when I'm drowsy. Stay tuned for the finished cartoon on Wednesday.

Sketching

Tonight's sketching.

POV

The camera's point-of-view can have such an impact on the delivery of a joke. I was really mentally sold on the head on angle (above) of this cartoon before I even laid pencil to paper. But then I found I could streamline the cartoon (and actually make it a lot clearer) if I deleted the caption and incorporated it into the cartoon itself. Nope, it's not "Quiet Reading." It's the title of the book that will be overturned on the table beneath his head. I'm also deleting the death bubble; it felt extra. I wanted his body pose and facial expression to accomplish that. The overhead camera angle really kills quite a few birds with one stone in this instance.

Pavlov Background

Here are some early sketches on an upcoming Incompatibles. This gag's fairly obvious, so no cloak and dagger on its future caption. "Pavlov's Logs" is one panel that I wanted to be sure I nailed historically. Ivan Petrovich Pavlov is such an iconic figure in the science world, I wanted to be sure I didn't get called on the rendering of his likeness. Boy, he really did have that 1900s Russian scientist look, huh? Not sure if I'm going to go to the extent of having the log restrained similar to the dog. That kind of faithful detail might take away from the focus on the notepad.

Sheephoarder Done

Here's the finished colored cartoon. Note how I added in a background for more context. I really think the perspective adds to the sense of a house bulging with livestock. I debated between red and blueish gray for the gal's hair color. A younger version of the hoarder won out.

Wool-In-Progress

An upcoming Incompatibles installment. You'll note in the previous rough sketch I posted of this that I was conflicted between using a shepherd versus a woman. I split the difference and put a crook in the lady's hand. I think it works with the planned caption well. I took the original sketch and outputted it in blueline, then I went over it with a blue lead pencil and rendered it out further. Once I was happy with it, I inked it in quickly.

I scanned the previous image and blasted out the blue, leaving the ink behind. I then converted the remaining image into a refined, faint blueline for final penciling. I actually have cut out inking from my process—at least for my Incompatibles work—and use my pencils as my final art. I simply scan it into p-shop and adjust levels to arrive at my finished piece. Here's the resulting drawing. From here I go to digital cleanup and coloring. I used a different pencil/paper combo this time around and I really enjoyed the feel of it—even the roughness of it. Strange how the feel of the drawing implement and paper can enhance the making process—not in just the appearance of the art, but also in the enjoyment of making it. You may notice that I adjusted the woman's mouth. She looked a little too happy in the previous version. 

Final Batman Cartoon

Here's the final colored version, complete with caption. This was kind of tricky color-wise and in the framing. I ended up zooming up and cropping out some of the bat cave and computer console. It just helped the focus of the composition in relation to the joke.

Dent Found

Wow, I totally thought this image was lost to the ages. I recently resurrected my old Powerbook and while rummaging through the drive, I found a small folder of Peck images. This drawing just really captures the atmosphere of a fictitious Sactown and the coolness of Dent.

Movie Review: Brave

Okay, I live in a world where I take it for granted that Disney/Pixar are hands-down THE most formidable entertainment tag team in the world. Their effects, animation/cinematography, character development, and stories are just so head and shoulders above the rest. And they've hit so many home runs in a row, you get to the point where your expectations are just so high. I think, however, I've finally experienced my first let down in their latest installment, Brave. Now, let me be clear, I give the movie an enthusiastic thumbs up. In fact I was so amazed at the animation (i.e., the bear playing in the stream)—it's just so stunning seeing where the technology has gone—but past that, the rubber meets the road at that pesky stretch of highway known as Story.
     Brave is your typical "girl-doesn't-to-want-conform-to-society's/family's-expectations" vehicle. And that packaging has worked so many times over, from Cinderella all the way to the more recent Tangled. I mean, think about how many times the premise has been used in the last 60+ years for Disney. But this time it just felt forced. Now, I don't think the vehicle is flawed, but I do think the story has to be exceptionally bullet-proof in order withstand the scrutiny of discerning movie fans these days. Let's face it, we sort of expect everything to be well-made. We're spoiled that way. And a weak story can't be frosted with slap-stick and special effects—not that those are bad things, but in this case it just really felt like a diversion from the less-than-sterling narrative. To Pixar's credit, they built an incredible world—lush and vivid with incredible detail. I'd watch it again, just to freeze frame it and study the backgrounds. But it all comes back to story. Story. Story. Story. "B+"

Bat B&W Final

Here's the final for the next Incompatibles installment. This was fun doing visual research on stalactites. Batman's eyes look like two pieces of coal right now, but I'll fix that digitally. I will also take care of the image on the big screen when I go to color in p-shop.

Bat In Progress

Here's an Incompatibles in progress. I scanned the previous thumbnail from the road trip roughs and cut it up in p-shop. I adjusted the elements on different layers then re-outputted this version as a blueline to work out details and relationships better.

Here is the value study two steps later. You can see the adjustments that were made from the rough. I've zoomed the action to bring more focus to the characters. I really want to showcase the size of their bellies, but I think that will be more stated when color is added.  I love Robin's face at this point, but I'm not totally sold on Batman's mug. More tweaks will happen when I go to final pencils.

Value Study > Finished Drawing

Value study before rendering the final pencils. Here I decide what's going to be shaded by hand and what's going to be colored in p-shop.

And here's the finished b&w drawing. I made a lot of adjustments and additions in the detail. Compare the mane, saddle, ribbon, reins, mailbag and stirrup between the two versions. And below is the final colorized panel. I really enjoyed doing this one.

road trip roughs

Here are some Incompatibles sketches I did during our family vacation in Utah this last week. Many of these sketches are no more than 2–3 inches square. I like to render out ideas small, then—if I like what I see—I can scale them up on the computer and print them out as blue lines for further tinkering.

I can't give away the captions until they're finished, but some might be obvious.

The nuances of the pony and rider here can really tweak the interpretation.

Hehe.

Baa.

Sometimes it's nice to space out the elements in the drawing, then select/overlap them in p-shop, especially ones involving a lot of structural perspective. I haven't tweaked this one yet, but will repost it when I've reworked it.

A crude little scrawl, but I like it.

An eventual twist on a Pavlov's dogs.

game design

I'm working on new card game right now. It looks nothing like the standard set of cards above—it's even more pictorial. The game involves nuances of some well known standbys (i.e., War, Crazy Eight, and Uno), but the game-play and design is infused with enough originality to steer it well clear of patent issues. Which reminds me—I need to look into patent registration at some point. 

I just tried the latest iteration of the game out on my family tonight. It really helped to work out some of the major bugs involving card numbers and ratios. My aim is to make this something that could be played one on one, but also be just as enjoyable in a group setting. It's so interesting how things that seem so clear in your head become quickly obsolete once UX testing begins. In no time, we figured out the game wasn't intuitive enough and had too many "attack cards" (I'll explain later).  Nobody could win—at least not so far as we could tell for the first 20 minutes we played the game. So I whipped out my sharpie and neutralized half of the attack cards and we dealt out another game. It was night and day in terms of play. Still lots to figure out in user testing, so some of the illustrative aspects of the cards will remain crude until I have a firmer idea of game play.

yarns reception this wednesday

Just a heads up that the Yarns Exhibit reception is this Wednesday, May 2nd, 6pm-8pm at the CSUS University Union 2nd Floor Gallery. Meet the artists of this anthology and see the process that led to the book becoming a reality. Signed copies of the limited edition book will be on hand for purchase ($20). And all book purchases get a free sketch inside to boot. We hope to see you there!

Heinrich Kley

One of my favorite influences is the German caricaturist Heinrich Kley. His work was just so dynamic and free. It's amazing what he could do with a line. If I can bring an inkling of the energy he brought to his drawings, I'd be filled with happy sighs. Check out some of his work here.

Yarns Debut

YARNS, the Yowling Anthology of Random & Neato Stories, will be making its debut this month at Sacramento State University near the end of April. It's been fun editing the pub and gathering the friends for this endeavor. The reception for the show is on May 2nd, 6pm–8pm in the University Union Gallery. Come out and view the "making of" the book and meet the artists that put it all together. For more info, go to  http://www.union.csus.edu/gallery/.

Movie Review: The Artist

Let's talk silent. I took in The Artist today. I wanted to see it before it left the local theater. I had to see why this thing won Best Picture on both sides of the pond. Surprisingly enough, this B&W non-Talkie kept my interest for the 100 minute run time. It was a bit foreign at first to view a movie that relied more on visual nuance and gesture than the glut of sensory effects we've become accustomed to as a society. I really believe the film triumphed internationally because it drew a sharp contrast to the usual fare. Was it clever enough to garner Best Picture nods? I'm not sure of that. But I will say it was worth the matinée ticket price. And it was refreshing to see a simple story "eloquently" delivered. "B+"

Yarns Progress

Okay, I'm bringing up the rear as we close in on our final deliverable for YARNS. Here's a sample of my “pencils” (actually they're a mix of ink and a motley patchwork of tracing paper and scotch tape). I love the hands-on feel of “Frankensteining” the composition in analog. Right now I’m moving into the inking phase. That actually goes fast for me. I scan these sample pages in, convert them to light bluelines, output them on Clearprint vellum, then ink directly on them. Then I'll rescan them RGB and blast out the bluelines in Pshop (Image>Adjustments>Hue/Saturation: Activate the blue and cyan channels and crank the Lightness slider to 100) and I'm ready to flat and paint. Colorizing will happen in bulk (and earnest) this week. I'm pretty excited about the story, though. It ended up being 18 pages. Phew!

Movie Review: John Carter

I caught the matinée of John Carter today. I found it reminiscent to Stars Wars in its epic-ness and humor; the story was interesting, the characters entertaining. My only critique concerns the actor who played the main character. Taylor Kitsch, though effective in his action segments as John Carter, needed more screen presence. Kitsch assumes the role of reluctant hero in the story, but comes off a little too unassertive and timid in his delivery. Ironically, though Mar's low gravity gives the Earthling Carter super strength and Hulk-like jumping ability, it seems to also rob him of the gravitas needed to pull off the job as male lead. (Marc Wahlberg in Planet of the Apes comes to mind). My advice to Kitsch: Rent Dirty Harry and The Good, the Bad and the Ugly and take notes from Sensei Clint. Beyond that, an entertaining film. "B+"

And I'm Back

After a 3-year hiatus from my personal blog, I've returned. Partly because I'd like a central hub outside of Facebook for design and illustration topics. And partly because I just want a place to park my arcane thoughts now and then. For those who are unfamiliar with my activities, I'm working on three different things right now:


YARNS: The Yowling Anthology of Random & Neato Stories
This is a compilation of short graphic stories written and created by six other friends and myself. It's due to come out this spring and there will be a show/reception at the CSUS University Union Gallery in late April. I'll post dates up in the next month. Check out work in progress here.


Peck, The Man Without Neck
Our one-armed hero, Dent, is a young man with a mysterious and sketchy past. He's a dumpy Sactown garbage man by day and a freakish, fledgling crime fighter by night. Mentored by Cornelius Bacon, the resident landfill recluse, and his teddy bear confidant, Billy Trudare, Dent learns the ancient discipline of Gar Bag Do. Together this unlikely trio attempt to take back a tattered city held hostage by greed, corruption and villainy. Keep up with the action here.


Incompatibles

This is my weekly web comic panel that chronicles the awkward intersections of the inanely bizarre and occasionally true. Check it out here.
The majority of the activity will be on Yarns in the near term. Stay tuned.

Sorry

I apologize blogger. It's my fault. It all started off very innocently, but it soon got out of hand. I flirted here and there ... I was thrilled by the rush of it all. I didn't mean for this to happen, but ... here we are. I'm leaving you for Facebook. I'll send someone to pick up my things next week.

Happy New Year.